Mirage (n.m.) : Construction de l'intangible à l'état conscient, destinée à déformer le réel, à refléter un désir. is an exhibition with dreams as its starting point. When entering the gallery, we want visitors to enter a dream; their own, someone else's, any dream... with pictorial, sculptural and installation works that question our perception of reality. Distorted, disproportionate and paradoxical, they take everyday objects and show them in a context that makes them strange. Thirteen artworks gathered in a 400m2 space make up this exhibition and envelop us in a dream.
For Mirage (n.m.) [...] an exhibition catalogue was made. A catalogue with an ordinary format and grid, which contrasts with a layout dotted with curiosities. A catalogue in two parts that looks ordinary but in detail not so much, just like the works it contains. The first part is composed of texts presenting artists, works and techniques, but also of thumbnail images that refer to the second part, which is an index of all the images in full-width. Following this desire for contrast, the reading levels are extremely disparate, fluctuating between 70 points for the names of the artists and 5.5 points for the captions. A banal and disturbing object at the same time. In collaboration with Léna Bertin and Salomé Fleismaher.

Mirage (n.m.) : Construction de l'intangible à l'état conscient, destinée à déformer le réel, à refléter un désir. is an exhibition with dreams as its starting point. When entering the gallery, we want visitors to enter a dream; their own, someone else's, any dream... with pictorial, sculptural and installation works that question our perception of reality. Distorted, disproportionate and paradoxical, they take everyday objects and show them in a context that makes them strange. Thirteen artworks gathered in a 400m2 space make up this exhibition and envelop us in a dream. See more…